{"version":"1.0","provider_name":"GALLERIA MARIO IANNELLI","provider_url":"https:\/\/www.marioiannelli.it\/it\/","author_name":"DUDE","author_url":"https:\/\/www.marioiannelli.it\/it\/author\/admin\/","title":"Claus Philip Lehmann: Si tacuisses philosophus mansisses &mdash; GALLERIA MARIO IANNELLI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tLgWBAOYz3\"><a href=\"https:\/\/www.marioiannelli.it\/it\/exhibitions\/claus-philip-lehmann-si-tacuisses\/\">Claus Philip Lehmann: Si tacuisses philosophus mansisses<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.marioiannelli.it\/it\/exhibitions\/claus-philip-lehmann-si-tacuisses\/embed\/#?secret=tLgWBAOYz3\" width=\"600\" height=\"338\" title=\"&#8220;Claus Philip Lehmann: Si tacuisses philosophus mansisses&#8221; &#8212; GALLERIA MARIO IANNELLI\" data-secret=\"tLgWBAOYz3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";var e=!1,o=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,a,i,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if(\"link\"===t.message)if(a=l.createElement(\"a\"),i=l.createElement(\"a\"),a.href=r.getAttribute(\"src\"),i.href=t.value,o.test(i.protocol))if(i.host===a.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!o){o=!0;for(var e,t,r,a=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),s=l.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<s.length;n++){if(!(r=(t=s[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(a||i)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.marioiannelli.it\/wp-content\/uploads\/2018\/01\/CPL10bis-1.jpg","thumbnail_width":950,"thumbnail_height":1400,"description":"Testo di Anna Redeker &nbsp; &nbsp; \u00c8 obiettivo dichiarato di Claus Lehmann riferire l\u2019 arte a nient\u2019altro che a se stessa, impiegando la pittura sia come mezzo di rappresentazione che come rappresentazione stessa. \u00c8 in questo modo che crea, ad esempio, quadri monocromi bianchi su tela, la cui complessit\u00e0 si rivela solo ad un esame [&hellip;]"}